Chloe Huntlea

Chloe Huntlea BA (Hons) Textiles in Practice 2020

As an artist my work invites curiosity through organic and unusual formations through a bold colour palette. This creates visually effective and aesthetically pleasing pieces complemented with tactile detail.

Interactive art is a concept I explore to bring people together. Creating public artwork in a gallery exhibition invites the audience to enter a world of tangible curiosities. This sensory engagement allows my work to be accessible by everyone; in particular the visually impaired who are often marginalised within the art world.

Problem solving through design motivates me. During a recent visit to New York I became aware of the city’s lack of hygiene and how easily infection can spread through touch in public spaces. My current design inspired by microscopic imagery reimagined the virus through a uniquely thought-provoking concept to educate the audience about the spread of COVID-19 through informative posters. These artworks invite immediate reflection and consideration. Inspiration behind this poster campaign derived from the work of Keith Haring who used his creativity to generate awareness about AIDS through his 1980’s New York subway graffiti-style artwork. This stimulated me to utilise an experimental approach by contextualising my abstract drawings through subway Street Art. I presented a contemporary and vital message to the public regarding hygiene through the visualisation of a blatant message on a pillar in the subway to wash your hands, alongside my COVID-19 artwork. This creates a doubly potent message. Using the subway as a moving canvas is a unique way of working, gaining recognition within the art world. 

My aspirations after graduation include designing and creating bespoke artwork for interiors and public spaces. I am a versatile artist constantly challenging myself and keen to immerse myself in new projects and opportunities.

Translating the uncertainty of COVID-19 through expressive mark making. This piece interprets my inspiration from microscopic imagery of the virus, as visually they are intriguing, however their impact is deadly. I love this contradictory element which set me on the path to developed this large scale drawing in response to a serious issue.
Mixed media textile sample representing the unique formations and patterns within microscopic images of COVID-19. Corrugated card, foam and plastic straws provide interesting tactile qualities when touched.
The global pandemic caused by COVID-19 involved a harmful virus that took over the world. Inspiration derived from research into microscopic imagery of coronavirus, revealing its unique form. I then began to extract and translate this information through unique drawings and textile samples.
If we had to live an another planet, how would we survive? I imagined a situation in which humans were forced to leave Earth due to climate change and live on another planet; however this new planet might pose a threat due to poisonous gasses within its atmosphere. I imagined apparatus that would help humans survive on this new planet. This sample was created from an old shower curtain as I am passionate about sustainability therefore my work often includes scrap and recycled materials. The close up detail depicts a vibrant orange zig zag stitch contrasting with a blue cord created using the braiding foot on the domestic sewing machine. The final fabric was then attached with press studs.
This collaged poster invites immediate reflection and consideration through the use of vivid colours and straightforward language. This will particularly benefit children who may be inclined to disregard current posters relating to hand hygiene, as the formal layout and complex amount of text does not capture their attention.
This drawing was included within my final piece for the practice Unit. A challenge I set myself was to discover a concept that represented this unique formation, prompting me to research microscopic images of the Corona Virus.Textures within the drawing show the use of ear plugs and 3D enamel paint to create tactile detail.
3D sampling process based on Richard Serra’s verb list. Manipulating this embroidered plastic sample into a three dimensional formation produced an interesting outcome, demonstrating my instinctive ability to manipulate textile materials into sculptural formation.
To the left is the High Line in New York City displaying a poster from my ‘wash your hands’ series, commissioned by Cecilia Alemani and Donald Mullen, Jr. Director & chief curator. This contemporary Art program invites artists to engage with the architecture of the High Line in creative and provocative ways. This poster promotes reflective thought for viewers passing by.
Visualised Street Art mural in New York City. Presenting my work through the style of graffiti attracts a younger audience conveying the message of ‘wash your hands’ to teenagers and young adults.
Commissioned Street Art enables my work to educate a wide range of adults who travel on the subway for work and leisure and also children accompanying adults. My work presents a contemporary and vital message to people regarding hygiene, as public areas are high risk places for the spread of infection. 
Therefore the blatant message on the pillar to wash your hands, which is linked with the carriage’s exterior artwork, strikes a doubly potent message. Using the subway as a moving canvas is a unique way of working; gaining recognition within the art world.
Unit X Final piece. Haptic exploration of tactile materials
Animated gif exploring textures within a haptic sample
Practice Unit final piece : Students interacting with haptic textile materials.