Iona Schwalowsky-Monks

Iona Schwalowsky-Monks BA (Hons) Fine Art 2020

There is a striking resemblance between the act of love and the ministrations of a torturer.

Angela Carter


My practice is heavily informed by the magical realism of folk tales. Inspiration is drawn from the whimsy and fantasy of the tales, as well as their violence and cruelty to create pieces rich in both narrative and symbolism. These narratives are never explicit however, they are purposefully vague, open to interpretation and ready for the viewer to fill with meaning. Frequently pieces have a contradictory atmosphere, often tenderness is displayed but there is the sense of an underlying threat. The use of animal imagery is integral to the work as the creatures act as instruments through which human nature can be explored. The work deals with themes of the uncanny and magical realism, seeking to be as beguiling as it is disquieting.

MAFA Award Winner

Hot Bed Press Bursary Prize Winner

Some Were Born As Blood

Hard Ground Etching, Aquatint & Chine-Colle on Zinc
Woodland Encounter

Soft Ground Etching on Zinc
Cherub (Preliminary Drawing)

Monoprint on Newsprint
Stay

Hard Ground Etching on Aquatint
Exit

Hard Ground Aquatint on Zinc, with Chine-Colle
The Two Ledas

The image on the right shows the plate as it is now, the the image on the left is inverted and mirrored to show what the plate would like like if it was printed.

Drypoint on Zinc
Preliminary Drawing for Future Etching (After Leonora Carrington)
Botanical Monoprint

Monoprint made using daisy and fern, pressed during lockdown.

Ink, Japanese Bunkoshi Paper
Botanical Monoprint with Red Hand

Monoprint made using daisy and fern, pressed during lockdown.

Relief Ink, Red Ink & Japanese Washi Paper
It Bites!
Dilating
Blackbird