Amy Millington

Amy Millington BA (Hons) Illustration with Animation 2020

Hello! My name is Amy Millington, I am an artist and illustrator based in Manchester. My interests are in folktales, particularly Nordic in origin and the untold tales that lie almost forgotten in our shared collective memory of place. I have developed a sustained interest in this subject area due to frequent childhood trips across the UK with my grandparents in their small caravan. We would spend time exploring stone circles, silent, remote castles and the remains of buildings long since abandoned. This pervading sense of place and impression of stories waiting to be discovered has stayed with me and I keep returning to this area of research for inspiration.

My working methods can be quite experimental, I like to combine processes and mediums using both digital and physical tools, often working on found paper materials which carry their own sense of age within them. I approach my illustration in this way to allow myself freedom to create pattern and textures within my drawings without being confined to a traditional pictorial, illustrative outcome.

Within university my main interests were folktales researched from Iceland, Japan (second year) and Scandinavia. Although this interest remains, I have decided to undertake research on folktales closer to home for future projects, looking at tales and legends from across the UK.

Cover design for the book 'Icelandic folktales and legends' by Jacqueline Simpson. Here you can see the streets of Iceland, its colourful and lively streets and bright buildings!
The back of the cover design, revealing the streets and buildings of Iceland! Can you spot the man watering his plants?
A pattern scrap that became part of the book 'Icelandic folktales and legends' endpaper pattern. Inspired by the flower mayweed from Drangey island.
Endpaper design inspired by the flower Mayweed from Drangey island from the tale 'The origin of Drangey island.'
An inner page from the book proposal, with a cut out page with the shapes of trolls from one of the tales within.
Illustration for the tale 'The Waterhouse hears his name.' A modern interpretation of how a kelpie could hunt its prey within the modern era, with a subtle hint included of the original folky interpretation.
Illustration for the tale 'The origin of Drangey island.' Here the stories main characters, trolls are incorporated within the piece through street art, inspired by the Icelandic town Reykjavik.
An illustration for the tale 'The witches bridle.' A modern interpretation of how witches 'fly.' Which was actually just a concoction of deadly plants that enabled the user to get 'high.' Placed into the armpits and legs by broomsticks!
Book spread for 'The Waterhouse hears his name.' With a subtle repeat detail from the story underneath the text, can you spot it?
Book spread for 'The origin of Drangey island.' The tale by its side, with a repeat pattern inspired by the puffins found commonly on the island.